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KALEIDOSCOPE: BREAKING BARRIERS IN BRAILLE LITERATURE

In the culturally vibrant town of Nagaon, Assam, where art and literature blend with daily life, Anjali Mahanta’s journe...

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BOLLYWOOD: SAME OLD LOVE STORY RETURNS

North Meets South, Clichés Meet Screen: Kerala Endures Yet Again! A tired cross-cultural romance that recycles clichés, Param Sundari offers postcard...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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RETROSCOPE: FORGOTTEN WOMEN OF HINDI CINEMA

Those forgotten B-grade movie divas of yesteryear: Khalid Mohamed recalls Indira ‘Billi’, Chitra and Naqi Jehan, j...

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FESTIVALS: KASHISH EXPANDS BORDERS ONLINE

Hundreds of LGBTQ+ films screen at KASHISH 2025 Online Film Festival. The month-long festival aims to provide easy access beyond geographical b...

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THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

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MOVIES: DANCE OF PUPPETS AND DESIRE

Suman Mukhopadhyay’s Putulnacher Itikatha adapts Manik Bandopadhyay’s classic novel with sensitivity and cinematic depth, ...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

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