TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...

DID PATHAN’S MONSTER SUCCESS DILUTE THE ‘CONTENT IS KING’ MANTRA?

Monojit Lahiri investigates the on-going discussion about what is ‘king’ – the content or the star, by takin...

ATUL TIWARI: MAN OF MANY PARTS!

Aparajita Krishna time-travels with writer, actor, museum designer and teacher of dramatic arts Atul Tiwari, and returns with ...

NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

ANJUM RIZVI: FROM BEHIND THE SCENES!

Aparajita Krishna goes back to the past and fast forwards the producer Anjum Rizvi’s life in an interesting conversation...

PATHAAN: IS IT A CINEMATIC MASTERPIECE?

Sharad Raj discusses why the film PATHAAN is being celebrated across the country and SRK’s persona and politics.

UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

THE GERSON DACUNHA DIARIES

On the 7^th of January, his first death anniversary, we remember Gerson Dacunha through one of his last conversations with Ni...