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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Care Leavers Speak Up

Augustine Veliath tells about Care Leavers and also explains what we need to do to support them.

A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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The Afterlife of Kudrat

Film historian Dhruv Somani, re-evaluates Chetan Anand’s take on reincarnation forty years later.

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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SAHOBASHE

Debutant filmmaker Anjan Kanjilal and stars Anubhav Kanjilal and Ishaa Saha speak to Shantanu Ray Chaudhuri about their forthc...

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An auteur in the true sense: Werner Herzog

The new wave German cinema with its mighty generals like Wim Winders and Reiner Werner Fassbinder had a maverick for company, an eccentric geni...

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The Woman in White

Film historian Dhruv Somani re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his...

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Pravesh Sippy: Never in Dire Straits

Water of love deep in the ground/But there ain’t no water here to be found/Some day baby when the river runs free/It's gonna carry that w...

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Once upon a foggy night

Film historian Dhruv Somani, re-assesses the 1964 suspense thriller Kohraa, which he asserts is grossly undervalued.

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