THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

BOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE

This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...

ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY

Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...

FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

MOVIES: SUCH A FALL FROM GRACE

Khalid Mohamed, once a cheerleader of Mani Ratnam, is taken aback with Thug Life, the auteur’s fall from grace. “M...

THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY

Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...

KALEIDOSCOPE: FREEZIES AND THE FIGHT FOR FRIENDSHIP

Farrukh Dhondy’s latest novel makes young readers think about big issues—refugees, prejudice, and the power of com...

MOVIES: POISE WITHOUT EMOTIONAL ENTRY

Billed as a tribute to Rituparno Ghosh, Indradeep Dasgupta’s Grihapravesh does not lack ambition and scale. But the effort shows...