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PRESERVING JAMSHEDPUR'S LIVING LEGACY
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AI, CREATIVITY AND PURPOSE UNITE
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Search ResultBUSINESS: NEW RESEARCH OFFERS A 21ST CENTURY PLAYBOOK
New World Bank report outlines strategies for developing countries to escape the middle-income trap and achieve sustainable, inclusive growth a...
Read MorePOWERFUL PEOPLE: UNTOLD STORY OF SRIDEVI
Discover the untold story of Sridevi through the lens of Amborish Roychoudhury, where passion for Indian cinema meets research, unveiling a leg...
Read MoreMOVIES: FAIRY TALE FALTERS IN AJOGYA





"Despite the charm of a fairy tale reference, Kaushik Ganguly's Ajogya struggles with a muddled narrative and underdeveloped characters, falling short of his acclaimed cine...
Read MoreALTERNATIVE ENTERTAINMENT: SHYAM BENEGAL’S MANTHAN
Thanks to the efforts of the Film Heritage Foundation, Shyam Benegal’s masterpiece has reached a new generation, proving cinema’s p...
Read MoreALTERNATIVE ENTERTAINMENT: REVERSING ROLES IN CHAALCHITRA EKHON
‘Chaalchitra Ekhon’ serves as a reflective piece on the generational shift from Western-centric aspirations to a more introspective...
Read MoreALTERNATIVE ENTERTAINMENT: 50 YEARS OF GARM HAWA
On Balraj Sahni’s birth anniversary, Shantanu Ray Chaudhuri looks at the lasting legacy of Garm Hawa, which celebrates i...
Read MoreALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK
Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes
ALTERNATIVE ENTERTAINMENT: THE RIVER OF LIFE
OP Srivastava takes us on the banks of Gautam Ghose's film. Paar, crossing the river of life, is a story of human endurance, a...
Read MoreBOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS
As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...
Read MoreALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW
Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...
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