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Hijab: The divisive agenda 2022

Humra Quraishi looks closely at the systematic way in which the Right-wing groups are deepening divisions between the Hindu an...

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Lata Mangeshkar: In her own voice

Humra  Quraishi revisits the book, ‘Lata Mangeshkar… in her own voice: Conversations with Nasreen Munni...

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STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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From refugee camps to stardom

Khalid Mohamed in conversation with the feisty actor, Shaylee Krishnen, who spent her childhood in camps of Jammu and Kashmir,...

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The Singing, Forgetful Detective

Hoichoi’s first offering of the New Year is a Ritwick Chakraborty show all the way, writes Shantanu Ray Choudhuri

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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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