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Life at the Margins: Akash Ongshoto Meghla

Joydeep Mukherjee’s intensely political directorial debut is a haunting look at life in a metropolis. Shantanu Ray Chaudhuri...

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Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

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That Daisy Fiasco

Film historian Dhruv Somani flashbacks to the furore, which erupted over Sharmila Tagore’s Malayalam film (1979). Dubbed...

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Is a woman incomplete if she's not a mother?

Monojit Lahiri unfolds a poignant real life story of how a student of his overcame society’s regressive gaze upon her be...

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The King & I!

Inspired by the buzz of his film Pathan, which is crazily gripping media, Monojit Lahiri goes back to 1989, New Delhi whe...

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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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FLASHBACK TO FORWARD

Today Aparajita Krishna is under the spell of stories of the past and present of Producer, Director Vinod Pande, Thespian MK R...

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