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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...

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Lost And Found

Film historian Dhruv Somani, rediscovers the prolific actor-producer Rajan Sippy of the 1980s, to engage him in a conversation...

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Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Memories of an advertising man…

In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...

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The Three Khans and the emergence of new India

Kaveree Bamzai’s book with fascinating long shots and close-ups is unique for several reasons, writes Monojit Lahiri. Fo...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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