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Close Encounters with Rekha

On her 66th birthday, Khalid Mohamed writes on the eternal mystique of Rekha.

It’s ...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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From Activism to Slacktivism

Amit Khanna writes that even as hundreds of millions wake up to a good morning message from friends and family, an equal if no...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Just Carry on: Ebrahim Alkazi

Aparajita Krishna walks you through the life and times of Ebrahim Alkazi; also what it was, that he meant to Indian Theatre.

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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No place to hide

Humra  Quraishi writes this short story about a brother, who comes visiting his sister to...

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Tragedy: The Untold Story of Baby Naaz

Khalid Mohamed narrates the story of Baby Naaz, a super child actor of the vintage years, who ...

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The Unknown Story

Indian cinema’s first superstar, Master Nissar, had passed away in abject poverty

How many even know...

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