Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

Spine Chiller Revisited

Film historian Dhruv Somani revisits Jaani Dushman the 1979 multi-starrer blockbuster of Raj Kumar Kohli, which is a major dra...

Rocket Girl

Khalid Mohamed interviews Saba Azad, the multi-faceted actor, dancer, theatre director, singer who made an impact with the ser...

The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

It was raining hits

Film historian Dhruv Somani, writes a comprehensive account of the disco monarch, the late Bappi Lahiri.

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War, Peace, Music and Memes

From ‘The answer my friend is blowing in the wind…’ by Bob Dylan to ‘Vladdy Daddy please no war…’ on Tik ...

KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...