Ballavpurer Roopkatha: A Director In-charge

Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to rema...

Suspense Classic

Film historian Dhruv Somani reveals the behind-the-scenes moments of the cult classic, Teesri Manzil (1966), produce...

On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

STILL FACES RUN DEEP

Kamlesh Pandey harks back ten years and mines into an interview he did with Amitabh Bachchan, to bring his genius to fore and ...

The Big Evolution

Khalid Mohamed in conversation with Saif Ali Khan, who has grown from yesterday’s ‘chocolate boy’ to an acto...

FLASHBACK & FLASHIN-FORWARD!

Aparajita Krishna, here, flashbacks and goes forward with Gopi Desai, Podcaster, Actor, Filmmaker and Writer and Suhail Akhtar...

THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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The Filmfare Awards: Nothing ‘Fair’ About It

The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again. Read More

IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...