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ASSI REVIEW: JUSTICE ON TRIAL
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LOVE, LABELS & THE VALENTINE’S HANGOVER
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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS
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SHAKESPEARE MEETS BOLLYWOOD DRAMATIC FUSION
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NADIRA BABBAR’S THEATRE LEGACY IN PRINT
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THAT CLOSE ENCOUNTER WITH FRANCOIS TRUFFAUT
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LAST WEEK’S ARTS, CINEMA AND CULTURE PULSE
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INTERGENERATIONAL CINEMA COURAGE CREATIVE DIALOGUE
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POWER, PRIVILEGE, AND OUR SILENCE
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AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE
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Of Mirth And Soaps
There was this scene in Thakan, last week, where the newly married bride Sadaf goes into the kitchen to make tea. Foxed by an unfamiliar kitchen in the lavish house of her ...
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Male Rickshaw Drivers Playing Key Role In Maternal Health Campaign In India
ODISHA, India (WOMENSENEWS)–As the auto rickshaws begin lining up inside the compound at 7 a.m., Vijaylakmi Sahu knows she has just 30 minutes to finish her work. Ove...
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Don't Reinvent The Wheel
How inured have we become to the over the top interiors and the same old locations (Gateway of India and Chatrapati Shivaji Terminus) at prime time, is unimaginable. We don...
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Time Pass – A Film Review More Of An Afterthought
The taste of first love, the age of innocence, the age old conflict and the nostalgia of it all, unfolds in a Marathi film loaded with honesty and...
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Truth or Dare…? The Alchemy of Desire Deconstructed
I am completely compelled and driven by an intense need to write this piece because I’m no longer now, able to be in denial of the force driving me to give some persp...
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