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Search ResultKALEIDOSCOPE: ROMANCING THE 80S WITH SEEMA SETHI
Monojit Lahiri attempts to zoom in on both close-ups and long shots, covering a decade that was, and remains for many, forever...
Read MoreALTERNATIVE ENTERTAINMENT: THE MUSICALITY OF NARRATIVE FILM
"Exploring the harmony between emotions and cinema, where musicality takes precedence over craftsmanship, transforming films into authentic, he...
Read MoreBOLLYWOOD: THE DIVERGENT WORLDS OF STAGE AND CINEMA
Monojit Lahiri figures the intricate duality, unpacking why some actors seamlessly transition from stage to screen while other...
Read MoreTRENDING: EPISTLES FROM LOLAB VALLEY
A heartfelt tribute to a lifelong friend who offered strength, laughter, and loyalty, sharing memories from film sets to letters from Lolab Val...
Read MoreTRENDING: EVERYTHING WE DESIRE IS ON THE OTHER SIDE OF FEAR
Discover how Nancy Katyal’s Commit to Yourself offers practical strategies for personal growth, breaking free from toxic pattern...
Read MoreFESTIVALS: SHABANA AZMI AND VIDYA BALAN AT MAMI
In an unforgettable dialogue at MAMI Mumbai Film Festival 2024, Shabana Azmi and Vidya Balan explored acting, cinema, and the emotional intensi...
Read MorePOLITICS: THE BRUTALITY WOMEN FACE IN INDIA
"Exposing the Brutality Against Women in India: A Heart-Wrenching Account of Systemic Failures, Rising Violence, and the Dim Rays of Hope Amids...
Read MoreALTERNATIVE ENTERTAINMENT: STUDYING IN INDIA CHANGED MY ARTISTIC PERSPECTIVE
Tharindu Ramanayaka, an independent filmmaker from Colombo, Sri Lanka, has carved a niche for himself in the world of cinema with his unique s... Read More
POWERFUL PEOPLE: ISHAA VINOD CHOPRA’S JOURNEY SO FAR…
In this interview, I go deeper into Ishaa's experiences, her journey towards self-acceptance, and her vision for the future, as she works to b... Read More
BUSINESS: DO WHACKY NAMED AD-SHOPS SCORE OVER OTHERS?
In a rapidly evolving advertising landscape, a new wave of agency names is challenging traditional norms and capturing the essence of creativit...
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