CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6^th December 1992 to the recently concluded assembly elections, bring to fore...

WHEN WILL THE DARK GIVE RISE TO THE MOON?

Humra Quraishi recalls the days of New Delhi’s past when the cultural hub was celebrated by envoys, especially from Arab...

TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

AMIT KHANNA’S JOURNEY AS A LYRICIST

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

SPECTACULAR ATTENDANCE AT INDIAN FILM FESTIVAL OF CINCINNATI

The curtains rose on the highly anticipated 7th Annual Indian Film Festival of Cincinnati on the 22nd August 2023, captivating attendees with a...

THE MITTI KI SONDHI KHUSBHOO SMELLS OF BLOOD

The tragic and horrifying details coming from Manipur remind Shabnam Hashmi about Gujarat 2002. Wasn’t it predictable th...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...