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STILL FACES RUN DEEP

Kamlesh Pandey harks back ten years and mines into an interview he did with Amitabh Bachchan, to bring his genius to fore and ...

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That Year of The Other Woman

Film historian Dhruv Somani flashbacks to the year 1980, when the subject of ‘the other woman’ was no longer consi...

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Hope and Glory

Film historian Dhruv Somani narrates the long and fulfilling journey of Asha Parekh, also known as The Hit Girl who has just b...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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