MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

CAN SRK RETURN AS KING KHAN WITH PATHAN?

Monojit Lahiri investigates if in this era of the ‘larger-than-life’, SRK is perceived as a yesterday’s star...

“ME & HOUSE WORK? ARE YOU NUTS ???”

Monojit Lahiri zeros in on the pampered Indian male. He asks, “Is Incredible India really all that incredible? Is Mera B...

FROM MERE MEHBOOB TO FEVICOL

Bollywood’s amazing lyrics story down the decades - Monojit Lahiri lays it on the line.

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

Unholy Propaganda

As the debate on the Uniform Civil Code rages, Humra Quraishi clears the many misconceptions there are floating around, about ...

Memories of Underdevelopment

Sharad Raj writes, “Many consider Tomas Alea, the greatest filmmaker to emerge from Cuba and Memories of Underdevelopmen...

The Big Evolution

Khalid Mohamed in conversation with Saif Ali Khan, who has grown from yesterday’s ‘chocolate boy’ to an acto...