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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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Search ResultTHOUGHT FACTORY: WHO DESERVES REAL RECOGNITION?
Monojit Lahiri examines the stark contrast between stardom’s glamour and the selfless pursuit of empowerment, questionin...
Read MoreBOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION
Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...
Read MorePOWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING
Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...
Read MoreRETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER
Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...
Read MoreKALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES
On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...
Read MoreKALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS
Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...
Read MoreHOLLYWOOD: LOVE, MATH & MODERN MATCHMAKING
A modern reflection on love, class, and emotional currency, inspired by The Materialists—where algorithms meet affection, and ma...
Read MoreGENDER: THE LEGACY OF QUEER FILMS IN INDIA
From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...
Read MoreTHOUGHT FACTORY: STORIES DIVIDE, YET ALSO UNITE
In a media landscape divided by class and culture, two Indian shows—The Royals and Thukra Ke Mera Pyaar—reveal ho...
Read MorePOWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...
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