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ALTERNATIVE ENTERTAINMENT: BETWEEN REALITY AND REPRESENTATION

SHUDDHI is an emotional journey, a call to action, and a symbol of hope all in one. It aims to generate renewed discussion on Leprosy. A rare f...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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AI & TECHNOLOGY: THE STAKES ARE HIGH, TECH IS HIGHER

AI for climate change is not a silver bullet, it’s a game-changer. It offers a powerful toolkit to mitigate the crisis, but it’s up...

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TRENDING: IS APNA TIME AAGAYA HERE?

Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...

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THE BEST FEMALE ACTORS OF 2023: TINAA GHAAI

This week-long series brings to you, next, the best of 2023 through the eyes of another among the very influential in Bollywood. Actor and Exec...

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RAJ KAPOOR AND MY SON

Raj Kapoor’s 99th birth anniversary was on the 14th December. Kamlesh Pandey recalls the influence...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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