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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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BUSINESS: REFLECTIONS OF ADVERTISING’S MR. BHARAT!

From Kolkata’s colonial hangover to the rise of brand Bharat, this reflection, by Monojit Lahiri, celebrates Piyush Pand...

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FESTIVALS: STORIES THAT AWAKEN THE WORLD

A masterclass on Conscious Storytelling at WIFF Mumbai 2025 explored how cinema can elevate empathy, awareness, and collective purpose across c...

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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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MOVIES: A GENTLE DOWNPOUR OF INDIE SUCCESS

Ritopriyo Saha’s short film Chhoti Baarish (Little Rain) is creating ripples across the global festival circuit — from Ban...

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TRENDING: TIMELESS LIGHT AND LIVING MEMORIES

At Piramal Gallery, NCPA, I revisited Bombay’s cultural past through the lens of twin photographers Debolina Mazumdar and Monobina Roy &m...

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POWERFUL PEOPLE: WHEN OPPORTUNITIES KNOCK

Khalid Mohamed interviews film, theatre and web series actor, Soni Razdan who’s back in the limelight, with a searing pe...

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TRENDING: SALUTING KASHMIR’S RULE-BENDING SINGER RAJ BEGUM

Khalid Mohamed in conversation with Danish Renzu on his widely-acclaimed gentle and poetic film Songs of Paradise&nbs...

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ALTERNATIVE ENTERTAINMENT: NO MAN’S LAND

Bimal Roy’s timeless displacement saga screened at Venice: As a new 4K restoration of Bimal Roy’s Do Bigha Zamin is screened at Ven...

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