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CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

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Life at the Margins: Akash Ongshoto Meghla

Joydeep Mukherjee’s intensely political directorial debut is a haunting look at life in a metropolis. Shantanu Ray Chaudhuri...

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Father’s Day: Is It A Royal Phus?

Why does Mother’s Day get more importance than Father’s Day? Monojit Lahiri attempts to investigate the na-insafi....

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The Soul Of Hindustan

Today Humra Quraishi brings alive the beauty of great urdu poetry translated by Sanjiv Saraf and flows to the soulful strains ...

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Finding Ganga

Film historian Dhruv Somani, recounts the arduous process that was involved in the casting of Mandakini in Raj Kapoor’s ...

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Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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SMOOCH: Bollywoods Shaky Affair With The Kiss?

Monojit Lahiri investigates ‘the kiss’ in Bollywood cinema and the reasons why it has barely transcended the cooch...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

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