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Merely because the act is horrific…

Humra Quraishi recalls the horrors of the 2002 riots in Gujarat in wake of the release of the convicted rapists and murderers ...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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A  ROTI PLEASE!

One of the foremost signs of failing governance is that many more poor people are dying of hunger and malnutrition, writes Humra Qurais...

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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

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Only About Ground Realities

YASHWANT SINHA, choice of the opposition parties as the next President of India,  is rational; he talks about ground realities with convic...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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Who killed Ehsan Jafri?

Humra Quraishi recalls her memory of the Gujarat riots 2002, and asks how it can be said the survivors demanding justice are p...

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STREET PROTESTS & GROUND REALITIES

The country’s youth on the streets, protesting against the newly introduced recruitment scheme to the armed forces, Agnipath. With unempl...

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