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POLITICS: HOW FAR WILL THEY GO WITH HATE?

Humra Quraishi condemns the targeted communal attacks on Muslims taking place repeatedly, and also introduces Sahar Zaman&rsqu...

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KALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK

Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...

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ALTERNATIVE ENTERTAINMENT: TAPAN SINHA’S EK DOCTOR KI MAUT

Tapan Sinha’s Ek Doctor Ki Maut (1990) shows how scientific research and innovation is not given its due in India, and how professional j...

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TRENDING: MEET THE CAST AND CREW OF FARIDA

Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...

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FESTIVALS: CRAFTING COMPELLING NARRATIVES

The annual workshop featured guest speakers including Subhash Ghai, Ishita Moitra, Raj Nidimoru, Shridhar Raghavan, Abbas Tyrewala, Durgesh Sin...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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POLITICS: NOT MEDIA, MASSES SPEAK THE TRUTH

Humra Quraishi wonders why the ruling party of the day needs to demolish opposition parties and diminish leaders, when it is a...

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GENDER: ZERO TOLERANCE TOWARDS SEXUAL HARASSMENT

Vinta Nanda in a conversation with General Secretary of CINTAA about what it takes to have zero tolerance for sexual harassmen...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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FESTIVALS: A DAY OF DREAMS AND ACHIEVEMENTS

Whistling Woods International (WWI), the torchbearer of excellence in media and creative arts education, commemorated its 16th Convocation...

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