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Search ResultALTERNATIVE ENTERTAINMENT: REVISITING A REEL MOTHER
Kaviyoor Ponnamma’s nuanced portrayals of motherhood reflected the complex realities of Kerala's changing society, going beyond stereotyp...
Read MoreGENDER: THE PROBLEM WITH FFI'S CITATION ON LAAPATA LADIES
Examining the Complex Narratives of Women in Cinema: 'Laapata Ladies' Sparks Debate on Gender Roles, Patriarchy, and India's Oscar Selection Pr...
Read MoreBUSINESS: PEOPLE DON’T BUY FROM CLOWNS...!
"Exploring how humour revolutionized advertising, proving that laughter, not seriousness, drives consumer engagement." Monojit Lahiri Read More
MOVIES: HER JOURNEY OF CRAFTING CINEMA





Rosy Bora reflects on her path from assistant director to filmmaker, exploring the emotional depths of her latest film and the challenges of ba...
Read MorePOWERFUL PEOPLE: ISHAA VINOD CHOPRA’S JOURNEY SO FAR…
In this interview, I go deeper into Ishaa's experiences, her journey towards self-acceptance, and her vision for the future, as she works to b... Read More
BUSINESS: DO WHACKY NAMED AD-SHOPS SCORE OVER OTHERS?
In a rapidly evolving advertising landscape, a new wave of agency names is challenging traditional norms and capturing the essence of creativit...
Read MoreALTERNATIVE ENTERTAINMENT: SATTRIYA DANCE LEGACY
Discover the dedication and journey of Prerona Bhuyan and Madhusmita Bora in promoting the 500-year-old Assamese dance form, Sattriya. ...
Read MoreKALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW
Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...
Read MoreFESTIVALS: ARE DADS LESS IMPORTANT THAN MOMS?
To address why Mother’s Day is celebrated with such grandiosity and emotion compared to the more subdued Father’s Day, Mono...
Read MoreALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION
Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...
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