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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Hijab: The divisive agenda 2022

Humra Quraishi looks closely at the systematic way in which the Right-wing groups are deepening divisions between the Hindu an...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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Great men leave everlasting memories

As Mahatma Gandhi’s death anniversary nears, Humra Quraishi recalls conversations with Tara Gandhi Bhattacharjee and als...

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Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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Starring Leela Mishra & Kanhaiyalal

Aparajita Krishna talks to eminent members of the film industry and Indian theater to explore how Leela Mishra and Kanhaiyalal...

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If I Am, So God Must Be!

Humra Quraishi discusses the absence of God in the Hindutva narrative of 2021, that threatened minorities and denied to India ...

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Kitu Gidwani: Distinctly Yours!

Aparajita Krishna flashbacks and forward with the life and times of Kitu Gidwani – an actor with, perhaps, the most well...

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