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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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YOU LOVE CINEMA, RANJAN DAS RECOMMENDS

From Bad City to Fair Play, from Another Gem From Darbhanga - Pokhar Ke Dunu Paar to The Cut and Fahad Fasil’s Pachuvum Athbutha Vilakkum...

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TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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A TIME FOR CELEBRATION, REFLECTION AND TRANSITION

December, the final month of the calendar year, holds a distinctive significance across cultures and societies worldwide, reports The Daily Eye #Newsdesk Read More

VERSE OF MOSAB ABU TOHA AND HUMAN RIGHTS

Humra Quraishi wants to know why The World Human Rights Day should be observed this year, and questions the intentions of the ...

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THE DIVERSE REALM OF ART HOUSE CINEMA

Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant cou...

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BOLLYWOOD TIK-TALK: IS SHE KAT OR COPY KAT?

Salman Khan has the answer to whether she’s Kat or a Copy Kat! And more news from The Daily Eye #Newsdesk this week!

Katrina Kaif Ste...

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THE NEED OF THE HOUR: TUSHAR ARUN GANDHI

In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...

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