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A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

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Hope and Glory

Film historian Dhruv Somani narrates the long and fulfilling journey of Asha Parekh, also known as The Hit Girl who has just b...

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SO MUCH OF DESTRUCTION!

Humra Quraishi revisits 1992 and the demolition of the Babri Masjid then, in context to the bulldozing of property without con...

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Threatened to vacate this earth

Humra Quraishi responds to the film The Kashmir Files, making headline news across media today, with a reminder to the many human tragedies taking place ac...

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Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

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Signs of the time: About Indian Muslims

It’s about time we look into our backyards! And not ignore the murky events taking place there and along the by-lanes of our mohallas and...

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The Legend Of Bhai Dooj

In this piece adapted from hearsay, Vinta Nanda writes that Bhai Dooj also has a story to follow.

For Hind...

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Signs of the times: Love, Hate and Saffron Flowers

I am wondering if a chief minister of a state has the right in a democracy to give shrouded threats to Muslim men suspected to be indulging in ...

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Signs of the times: Congratulations Ammi!

Humra Quraishi writes, “In the backdrop of the upcoming Mahatma Gandhi Jayanti, I have been wondering how Gandhi would&r...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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