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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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M K RAINA: A salutation and exploration

Again and this one is vast - Aparajita Krishna walks you through the life of social activist and actor MK Raina. So far, so, s...

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Signs of the times: Congratulations Ammi!

Humra Quraishi writes, “In the backdrop of the upcoming Mahatma Gandhi Jayanti, I have been wondering how Gandhi would&r...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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Abdullah Khan of Patna Blues

Aparajita Krishna writes that the debut novel of the 49 year old author born in village Pandari, 40 Kms from Motihari in Bihar...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Who decides?

Newcomers we were to this survival game, to this locale, to this one-room setting, to this downslide, to this helplessness. We were new at sawi...

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Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

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A Muslim in Bollywood

The mainstream Hindi film industry’s template for the community reflects ideological and political shifts in contemporary India.

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