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ALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR

Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...

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HYPOCRISY AND DOUBLE STANDARDS ARE DESTRUCTIVE

Humra Quraishi elaborates on the double standards of the right-wing government in India, and warns that what is taught in scho...

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THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

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ALLOW CHILDREN TO WATCH FILMS AT FILM FESTIVALS

12-year-old Kaurwakee Vasistha questions the business in which children are employed to perform and be a part of practically e...

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BEST INDIAN NEWS NETWORKS OF 2023: SUPRIYA SHRINATE

Amidst the rapid flow of information and the ever-evolving media landscape, the role of news networks has become pivotal in shaping public opin...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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AUTUMN BLOSSOMS: OF MOTHERHOOD & OTHER RELATIONSHIPS

The 50 stories in this collection, divided into three sections, deal with woman protagonists coping with the vagaries of relationships with men...

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A WORLD SCARRED BY BULLETS

I realize that for over five weeks now I’ve commented only about Palestinians and the ground realities of Gaza, writes Humra...

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