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WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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INDIA AT CANNES 2022: RAMP-SHAMP! AIR KISSING AND ALL

It’s déjà vu time, one more time in the world’s most prestigious and revered film fest. Monojit Lahiri Read More

A MOTHER’S SILENT AWAKENING

Shantanu Ray Chaudhuri looks at one of Jaya Bachchan’s most feted performances in a rare Hindi film, Hazaar Chaurasi Ki ...

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MY RK STORY

Once, Raj Kapoor rescued a mugged journalist from being...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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NO ONE KILLED PALAN

On the birth anniversary of legendary director Mrinal Sen, Shantanu Ray Chaudhuri Read More

BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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