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TRENDING: ALL THAT YOU NEED TO KNOW ABOUT MSP

Explainer on Minimum Support Price (MSP) as a legal guarantee using Swaminathan formula, and what is being demanded by the farmers of India, re...

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POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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POLITICS: NOT MEDIA, MASSES SPEAK THE TRUTH

Humra Quraishi wonders why the ruling party of the day needs to demolish opposition parties and diminish leaders, when it is a...

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GENDER: ZERO TOLERANCE TOWARDS SEXUAL HARASSMENT

Vinta Nanda in a conversation with General Secretary of CINTAA about what it takes to have zero tolerance for sexual harassmen...

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AI & TECHNOLOGY: THE STAKES ARE HIGH, TECH IS HIGHER

AI for climate change is not a silver bullet, it’s a game-changer. It offers a powerful toolkit to mitigate the crisis, but it’s up...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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MOVIES: CINEMATIC GEMS OF INDIAN ART HOUSE FILMS

In the vast landscape of Indian cinema, a realm beyond the glitz of mainstream Bollywood exists - one where storytelling transcends mere entert...

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INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR

In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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THE MADRAS MUSIC FESTIVAL: BREAKING OUT OF THE VIRTUAL

Much has been discoursed about this Margazhi festival, from its sustenance over a century, to its inadequacies in inclusivity and outreach, wri...

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