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THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...

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A NOT SO QUIET PICTURE

Humra Quraishi questions the deliberate seeding of hate among different communities in India, which have lived in harmony for ...

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THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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CASTE, RELIGION AND LEARNING GAPS

In the backdrop of an incident that took place a couple of weeks ago, when a young Muslim student was taunted by his teacher, Humra Qur...

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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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WRITERS OF OBITUARIES

Humra Quraishi remembers time spent at Loreto Convent Lucknow and also recalls her invaluable conversations with, both, the la...

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The Bharat Jodo Yatra with Darshan Mondkar

Good ole’ author, activist and social commentator Darshan Mondkar walked beside Rahul Gandhi for 20 mins and had a conversation with him....

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Unholy Propaganda

As the debate on the Uniform Civil Code rages, Humra Quraishi clears the many misconceptions there are floating around, about ...

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Decolonizing The Caste Question

Vanshika Bhagat discusses the present status of Dalit converts to Islam and Christianity vis-a-vis reservation, which endeavor...

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