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ALTERNATIVE ENTERTAINMENT: EXPLORING UNSPOKEN DEPTHS

Director Mrunal Mestri discusses the evocative power of silence and visual storytelling in 'Malti,' a black-and-white cinematic masterpiece exp...

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FESTIVALS: ARE DADS LESS IMPORTANT THAN MOMS?

To address why Mother’s Day is celebrated with such grandiosity and emotion compared to the more subdued Father’s Day, Mono...

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FESTIVALS: NANAD BHABHI TAKE UP THE CHALLENGE SAYS ZAIKAK

Homemakerz has achieved a reasonable retail turnover every month, in Mumbai, Pune, Goa, and Gujarat, and the good thing is that their online sa...

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ALTERNATIVE ENTERTAINMENT: THE RISK TAKERS BY SIDDHESH PANDEY

Siddhesh Pandey’s poignant exploration of Mumbai’s unsung heroes is heartening and life-affirming, reports Vinta Nanda. &ld...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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ALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK

Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes Read More

KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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POLITICS: REGRESSIVE ACTIONS IN THE MODERN WORLD

Humra Quraishi comments on reports coming in of the centre awarding Sainik School agreements to educational institutions assoc...

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