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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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KALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS

Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...

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FESTIVALS: OF MUSIC, MEMORIES AND MUSICAL MEMORIES

Music weaves memory, emotion, and meaning into life’s quietest and loudest moments. On World Music Day, Shantanu Ray Chaudhuri Read More

RETROSCOPE: HIS ENDURING LEGACY IN BENGALI CINEMA

Celebrating the quiet brilliance of Anup Kumar—Bengali cinema’s everyman—on his birth anniversary. A master of nuance, humour...

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GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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BUSINESS: TOTTENHAM SURVIVE, TRIUMPH, AND RISE

Tottenham Hotspur’s 2024/25 campaign was a dramatic clash of despair and triumph—scraping through Premier League survival while cli...

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MOVIES: AAMAR BOSS WEARS MANY MASKS

A bittersweet tale of family, loneliness, and emotional overdrive, Amaar Boss blends sentiment with slapstick, raising valid questions while slipping often into me...

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FESTIVALS: RESTORED CLASSIC ARANYER DIN RATRI SHINES BRIGHT

At Cannes 2025, Film Heritage Foundation unveils restored masterpieces by Satyajit Ray and Sumitra Peries, spotlighting South Asia's cinematic ...

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TRENDING: MAGICAL RENAISSANCE OF MALAYALAM CINEMA

A deep dive into Malayalam cinema’s renaissance through V.K. Cherian’s lens, exploring Noon Films, the A-Team of filmmakers, and th...

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