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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...

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NOW GAJRA KOTTARY SPEAKS TO VIEWERS, READERS & LISTENERS

The versatile author and screenwriter Gajra Kottary spoke to Shantanu Ray Chaudhuri on the demands of an audi...

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DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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A PLEA FOR PEACE

Humra  Quraishi celebrates Sahana Ahmed’s book, Amity Peace Poems, and Shubha Menon’s Resilience: Stories of ...

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THE ZEN NOT REACHED

Neil Banerjee looks at the Government’s vehicle scrapping policy, odd-even policy to fight pollution in Delhi, and demon...

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THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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WE THE PEOPLE!

Humra Quraishi questions the whereabouts of missing children on Human Rights Day, and addresses what meaningless entertai...

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