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FESTIVALS: GURUGRAM’S PRIZED CULTURAL HUB!! MUSEO CAMERA

Monojit Lahiri attempts a brief sketch of an exciting, bustling, creative multi-disciplinary space where vision and mission ar...

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TRENDING: THE GRAND AMBANI WEDDING

Despite the extravagance, the Ambani wedding is showcasing India's rich cultural heritage and supporting artisans. Shouldn't we revel in the sp...

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BOLLYWOOD: THE STAR WHO DEFIED CONVENTION

Discover the journey of Rajesh Khanna, the trailblazing superstar who broke all norms to become the unparalleled heartthrob of Indian c...

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THOUGHT FACTORY: THE PERILS OF BLIND FAITH

Cults led by godmen erode rational discourse and exploit vulnerable populations. In times of crisis, these leaders offer false hope and gain im...

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FESTIVALS: ZAIKAK IN SEARCH OF THE BEST MAHARASHTRIAN THALI

“I think it would be impossible to search for the best Maharashtrian Thali in Pune because Thalis are culture or ‘sanskriti‘ ...

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AI & TECHNOLOGY: HOW (IN)HUMAN  IS AI!

Authoritarian governments have multiple tools at their disposal to control social media and suppress free speech, ranging from legal and regula...

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TRENDING: PATRIOTISM FOR PROFIT & ELECTION ADS

Is nothing sacred in today's media landscape, dominated by relentless election advertising, wonders Monojit Lahiri. He explore...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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ALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK

Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes Read More

BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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