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BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that history refuses to let heal,&nb...

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SRIDEVI: BOLLYWOOD’S MOST MAGICAL SUPERSTAR  

On her 63rd Birthday, August 13, Monojit Lahiri traces the life and times&n...

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MOTHERS, RESISTANCE AND COURAGE

Sharad Raj examines Sabiha Khanum and Leela Bora, two mothers whose compassion, dignity and courage reveal how motherhood can transcend...

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OHH MY DOG: LOVE, LOYALTY, LOSS

Canine Loyalty Meets A Darker Tale of Loss, Courage and Justice. Arnab Banerjee reviews Amit Rai’s Ohh My Dog, a heartfe...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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IDENTITY, EXILE, MEMORY AND DEATH

Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, Read More

DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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HOW AIRTEL'S SOUND BUILT IDENTITY

A.R. Rahman's five-note Airtel anthem transformed sonic branding in India, proving that advertising music can become enduring ...

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