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Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.
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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA
His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.
SUNNY SIDE UP
Khalid Mohamed pulls out a rare interview with Sunny Deol to afford a glimpse into the mindspace and acting credo of the usual...
Read MoreA HOLY CONSPIRACY





Monojit Lahiri reviews A Holy Conspiracy, a Saibal Mitra Film. A must-see film for all lovers of quality cinema, he writes. Read More
Life at the Margins: Akash Ongshoto Meghla





Joydeep Mukherjee’s intensely political directorial debut is a haunting look at life in a metropolis. Shantanu Ray Chaudhuri...
Read MoreSize Matters?





Film historian Dhruv Somani writes on the phenomenon of filmmakers often selecting lengthy film titles.
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Our Godpapas
Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...
Read MoreFLASHBACK & FORWARD
Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...
Read MoreA DELIGHTFUL TAKE ON ART & CREATIVITY





In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...
Read MoreThat Daisy Fiasco





Film historian Dhruv Somani flashbacks to the furore, which erupted over Sharmila Tagore’s Malayalam film (1979). Dubbed...
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