INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

MARATHI MUSICAL THEATRE TAKES CENTRE STAGE

Prof Dr Avinash Kolhe explores the enduring legacy of Marathi musical theatre as Nehru Centre Mumbai presents its 34th annual ...

MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

LEADERSHIP WAS NEVER MEANT TO BE GENDERED

Sushmita Chowdhary examines the enduring barriers women face in leadership, connecting India's historic women leaders, matria...

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EDEN CREEK BENGAL REVIEWED BRILLIANTLY

Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...

MAGDALEN OF THE CANADIAN ARCHIPELAGO

Sohaila Kapur chronicles an unforgettable journey through Canada’s Magdalen Islands, exploring Acadian history, breathta...

BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

COCKTAIL 2 TESTS LOVE’S LIMITS

Arnab Banerjee examines Homi Adajania’s Cocktail 2, exploring fidelity, trust, temptation, and modern relationships whil...