ATUL KASBEKAR: SO CLOSE TO LIFE

Atul Kasbekar, eminent high-glamour photographer, has achieved the impossible. Contradicting his trademark glossy style, he ha...

BARNALI RAY SHUKLA ON CINEMA, LIFE, POETRY

Writer, filmmaker and poet Barnali Ray Shukla speaks to Vinta Nanda about poetry, independent cinema, Satya, marriage...

BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

STUDENT CITY PART 2

In Part 2 of Prof Dr Piyush Roy’s nostalgic campus saga, rivalries intensify, friendships fracture, and attraction simme...

SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

INDIAN CINEMA CONQUERS GLOBAL STAGE

From Berlinale to BAFTA: How India’s Cinema Took the World Stage from The Daily Eye #Newsdesk

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VADH 2 EXPLORES JUSTICE AND AGING

Crime, Conscience, and Companionship in the Twilight Years: Arnab Banerjee.
Jaspal Singh Sandhu’s Vadh 2 examines ...

ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025

A sweeping year-end chronicle of cinema, culture, memory, rebellion, and conscience—where filmmakers, critics, and artis...

POWERFUL PEOPLE: LISTENING TO LIVES

Journalist, author, translator, and cultural chronicler Sathya Saran reflects on a life shaped by words, music, travel, and di...