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A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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RETROSCOPE: REMEMBERING RAY’S IMMORTAL…APU!

On the late, legendary Soumitra Chatterjee’s 91st birthday on January 19th Monojit Lahiri pays homage to the remarkable ...

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ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025

A sweeping year-end chronicle of cinema, culture, memory, rebellion, and conscience—where filmmakers, critics, and artis...

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ALTERNATIVE ENTERTAINMENT: EI RAAT TOMAR AMAR

What happens when two powerhouse veteran actors showcase a cathartic storyline, directed by a courageous and sensitive actor-director with the ...

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ALTERNATIVE ENTERTAINMENT: TOPSHE FOREVER

On the fiftieth anniversary of Sonar Kella, Siddhartha Chatterjee Reflects on Topshe, Satyajit Ray, and Life Beyond Cinema in this int...

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ALTERNATIVE ENTERTAINMENT: ILLUMINATING CINEMA 2024

Exploring the art, narratives of cinema celebrated by The Daily Eye, showcasing alternative cinema, legacies and impactful storytelling that ch...

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TRENDING: GAJRA KOTTARY’S STORYTELLING JOURNEY

Gajra Kottary, screenwriter and author, balances the demands of Indian television with profound novels and short stories, challenging social no...

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