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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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Festivals

FESTIVALS: NANAD BHABHI TAKE UP THE CHALLENGE SAYS ZAIKAK

Homemakerz has achieved a reasonable retail turnover every month, in Mumbai, Pune, Goa, and Gujarat, and the good thing is that their online sa...

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Thought Factory

THOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA

Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...

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Bollywood

BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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Bollywood

BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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Bollywood

BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s

It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...

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Gender

THE UNFINISHED BATTLE FOR EQUAL RIGHTS IN INDIA 2023 BY GEETIKA TYAGI

Throughout history, several pivotal events have spotlighted the persistent struggle for gender equality, unmasking the enduring challenges that...

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Gender

STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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Thought Factory

WE ARE NOT AT PEACE

Humra Quraishi discusses the position of the Urdu language in India, on International Mother Language Day – 21st Februar...

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Bollywood

The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...

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