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Retroscope

RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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Powerful People

POWERFUL PEOPLE: OF PARADISE REGAINED

Khalid Mohamed interviews Saba Azad, who portrays the Kashmiri singer, Raj Begum, a quiet rebel with a cause, with boundless g...

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Bollywood

BOLLYWOOD: 50 YEARS OF ‘SHOLAY’

Sholay is 50 on 15th August 2025 — a film that has stood the test of time like no other in Indian cinema. Monojit Lahiri...

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Kaleidoscope

KALEIDOSCOPE: SACRED JOURNEY BEYOND HIMALAYAN VEILS

Anu Malhotra’s Shamans of the Himalayas immerses readers in rare shamanic traditions, documenting mystical rituals through vivid storytel...

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Business and Politics

BUSINESS: ENTERTAINMENT HIJACKS SALES IN ADVILLE

A sharp look at how advertising today prioritizes entertainment over sales, sparking debate on creativity, strategy, and real business impact. ...

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Festivals

FESTIVALS: STRONG SUPPORT FOR QUEER CINEMA AT KASHISH 2025

Held at the Mumbai Press Club, the Kashish Pride Film Festival press conference united filmmakers, activists, and allies in a passionate call f...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: TWO RIVERS, ONE JOURNEY

Celestina and Lawrence explores post-demonetization India through the intertwined lives of two tribal migrants, looking at urban alienation, id...

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Trending

TRENDING: A REQUIEM FOR A LOST CHILDHOOD

A deep reflection on communal harmony, personal memories, and the fading Ganga-Jamuni culture of Lucknow in today’s divisive times—...

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Business and Politics

BUSINESS: CHALLENGING CREDIBILITY OR INFLUENCING SALE?

From Leela Chitnis to today’s stars, celebrity advertising in India has evolved dramatically—entertaining, controversial, and often...

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AI and Tech

AI & TECH: NAVIGATING THE UNCERTAIN FUTURE

In an era of AI dominance and rapid technological change, literature, science, and art remain essential, offering wisdom, creativity, and intro...

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