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RETROSCOPE: WHEN MELODY WAS KING

His lovingly built bungalow, Ashiana, on the Bandra seafront has survived the encroachments of real-estate sharks of sky-high towers. And despi...

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ALTERNATIVE ENTERTAINMENT: DELHI’S OWN THEATRE FESTIVAL

The second Triveni Theatre Festival in Delhi celebrated diverse theatrical performances, from classic adaptations to experimental productions, ...

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THOUGHT FACTORY: THE DEATH OF THE STORYTELLER

As censorship tightens and expression is choked, storytellers face an existential crisis. With creativity shackled by morality and control, is ...

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THOUGHT FACTORY: WHEN INSTITUTIONS FAIL, ART SUFFERS

When cultural institutions compromise artistic integrity due to bureaucratic interference, creative expression weakens, and a nation's cultural...

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ALTERNATIVE ENTERTAINMENT: TAPAN SINHA’S EK DOCTOR KI MAUT

Tapan Sinha’s Ek Doctor Ki Maut (1990) shows how scientific research and innovation is not given its due in India, and how professional j...

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DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

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SO MUCH OF DESTRUCTION!

Humra Quraishi revisits 1992 and the demolition of the Babri Masjid then, in context to the bulldozing of property without con...

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Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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Signs of the times: India’s battle for its soul

Humra Quraishi looks back at the last seven years in India, through the lens of A.G. Noorani’s writings about the RSS an...

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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

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