OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

GET READY FOR ARSLAN NIZAMI, DRV AND BOYBLANCK AND DANISH AHMED!

It’s a wonderful set of music releases with artists like Arslan Nizami, DRV and Boyblanck and Danish Ahmed that The Daily Eye #Newsdesk r...

ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

WRITERS OF OBITUARIES

Humra Quraishi remembers time spent at Loreto Convent Lucknow and also recalls her invaluable conversations with, both, the la...

WHO SHOULD BE MADE TO COMPENSATE?

From the institutionalisation of bias to literature about the greatest artists of the past, Humra Quraishi’s c...

Eighty Cheers for the Towering Inferno!

Monojit Lahiri pays a personalized tribute to the Muqaddar ka Sikandar, the Shahenshah whose timeless aura and charisma, neith...

Only About Ground Realities

YASHWANT SINHA, choice of the opposition parties as the next President of India,  is rational; he talks about ground realities with convic...

Hindu Khatre Mein Hai

Humra Quraishi looks at how the many things that threaten India are not being addressed by the media, and the things that don&...