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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

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AN ACTOR PREPARES: ASEEM HATTANGADI

A multi-tasker, he is a theatre, film and web series actor. Son of the celebrated actor Rohini Hattangadi and the late theatre director Jayadev...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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SUCHITRA SEN: THE STAR WHO CHOSE SILENCE

On her 12th death anniversary, Monojit Lahiri recalls the mystique, magnetism and unmatched romance of Suchitra Sen—Beng...

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RETROSCOPE: REMEMBERING RAY’S IMMORTAL…APU!

On the late, legendary Soumitra Chatterjee’s 91st birthday on January 19th Monojit Lahiri pays homage to the remarkable ...

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BOLLYWOOD: TRIUMPH THAT OUTLIVES THE WAR

A reflective, humanist reading of Sriram Raghavan’s Ikkis, Arnab Banerjee examines war beyond valor, locating memory, gr...

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RETROSCOPE: THE FLAME THAT STILL BURNS

When Smita Patil Breathed Her Last On The Midnight Of December 13, 1986, The World Of Cinema In General And Indian Cinema In P...

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