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MUMBAI ARCHITECTURE THROUGH HERITAGE

A Well-researched Look at Mumbai’s Architecture By Prof. Dr. Avinash Kolhe explores the city’s remarkable architectural evo...

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NOT QUITE FAMILY REVIEWED BRILLIANTLY

Sushil Poddar explores Khalid Mohamed’s Not Quite Family, an unflinchingly honest journey through Bollywood’s myth...

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IAA LEADERSHIP AWARDS HONOUR ICONS

IAA Leadership Awards 2026 brought together India’s leading business, advertising, media and creative voices, celebratin...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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VIJAYA MEHTA: THE LEGENDARY BAI LEFT US

Prof. Dr. Avinash Kolhe pays tribute to legendary theatre visionary Vijaya Mehta, whose remarkable journey ac...

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A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

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PURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED

In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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