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BOLLYWOOD: CHORI MERA KAAM OR CHOR-EO-GRAPHY

Monojit Lahiri investigates Bollywood’s skilled art of plagiarism down the decades without batting an eyelid and of cour...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

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BOLD AND BEAUTIFUL

Film historian Dhruv Somani, a loyal fan of Sushmita Sen, retraces her  estimable career, as her birthday approaches on N...

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The Bharat Jodo Yatra with Darshan Mondkar

Good ole’ author, activist and social commentator Darshan Mondkar walked beside Rahul Gandhi for 20 mins and had a conversation with him....

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Looking after a Family’s Medical Needs

Dr Kishore Madhwani writes on the FAMILY MEDICINE SPECIALIST DAY, which was observed on  SEPTEMBER 27 at NAVI MUMBAI...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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"Who Killed Judge Loya?” (Remember this is not fiction!)

The prologue itself is an unapologetic foray in Niranjan's state of mind, as he must have started penning down his story, writes Darsha...

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Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...

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