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MOVIES: THE BEST OF THE LATEST MOVIES

Exploring the Cinematic Highlights of 2024 So Far: From Blockbusters to Arthouse Gems. The Daily Eye #Newsdesk reports.

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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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TRENDING: HINDUTVA, VIOLENCE AGAINST WOMEN, AND PROPAGANDA

Humra Quraishi explores Brinda Karat's latest book, about the intensified violence against women under the BJP-RSS regime, and...

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POLITICS: WHY INDIA MUST QUESTION A DECADE OF FAILED LEADERSHIP

"Why should the people of India continue to vote for a politics that, after ten years in power, has left citizens despairing for basic needs an...

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THOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA

Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL

The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...

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