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ALTERNATIVE ENTERTAINMENT: REVISITING A REEL MOTHER

Kaviyoor Ponnamma’s nuanced portrayals of motherhood reflected the complex realities of Kerala's changing society, going beyond stereotyp...

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MOVIES: THE BEST OF THE LATEST MOVIES

Exploring the Cinematic Highlights of 2024 So Far: From Blockbusters to Arthouse Gems. The Daily Eye #Newsdesk reports.

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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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TRENDING: HINDUTVA, VIOLENCE AGAINST WOMEN, AND PROPAGANDA

Humra Quraishi explores Brinda Karat's latest book, about the intensified violence against women under the BJP-RSS regime, and...

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POLITICS: WHY INDIA MUST QUESTION A DECADE OF FAILED LEADERSHIP

"Why should the people of India continue to vote for a politics that, after ten years in power, has left citizens despairing for basic needs an...

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THOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA

Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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