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ALTERNATIVE ENTERTAINMENT: PHAS GAYA SYSYPHUS IS TRUE INDEPENDENT EXPRESSION

Saumesh Bangera’s cinema is a perfect manifestation of the phenomenon of democratisation of filmmaking since it got morphed into the digi...

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FESTIVALS: BEST FILMS FROM SOUTH ASIA ONLINE NOW!

The 13th edition of South Asian Film Festival Montreal is online now. The online festival started on 27th May 2024 and wi...

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POLITICS: MISSING GIRLS AND HATE SPEECHES

After we are done celebrating mothers, daughters, women, take a moment to consider these shocking details about the missing women and girls in ...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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THOUGHT FACTORY: DEPICTION OF CHILD ABUSE IN CINEMA

Courageous storytellers daringly illuminate the darkness of child abuse, igniting conversations long overdue. Through their lens, they challeng...

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FESTIVALS: OPENING AND CLOSING FILMS AT KASHISH 2024

KASHISH 2024 unfurls Diversity with Gender-Queer and Transman focused films as its Opening & Closing films, reports the #Newsdesk Read More

ALTERNATIVE ENTERTAINMENT: LOOKING FOR THE MAHANAYAK

Srijit Mukherji’s Oti Uttam is a film hard to dislike. And no, it’s not just Uttam Kumar who is responsible for that, writes Read More

POLITICS: PEOPLE WILL DEFEAT AMIT SHAH

Vinta Nanda spent two days with Sonal Patel and returns to tell us that the Congress Party’s choice to challenge Amit Sh...

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KALEIDOSCOPE: ANURAG ANAND - THE STORYTELLER ARTIST

‘I am a storyteller with art and writing as my mediums,’ says Anurag Anand, the artist who wears many hats, when Shantanu R...

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ALTERNATIVE ENTERTAINMENT: MAINSTREAM VS. ALTERNATIVE PERSPECTIVES

A comprehensive understanding of mainstream and alternative movements enrich discussions about the strengths and weaknesses of each. Sh...

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