ALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE

Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed share...

BOLLYWOOD: ‘ALL I NEED IS WOR

Rehana Sultan, the sensation of the 1970s following Chetna and National Best Actress Award winner for Dastak, in conversation...

POWERFUL PEOPLE: IN THE NAME OF THE FATHER

From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...

THOUGHT FACTORY: BOMBAY IN THE ARMS OF THE NIGHT 2.0

Sharad Raj remembers the vibrant yet gritty nights of 90s Mumbai, reflecting on its transformation from a city of contrasts to...

MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

JAANE BHI DO YAARO: FOREVER IN RECALL!

Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...

PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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DIARIES: WHISTLING WOODS INTERNATIONAL

There’s so much going on at Whistling Woods International that it’s hard to keep track, but we’re trying our best to tell you...

Making films is my coping mechanism: Shabnam Sukhdev

Here’s Vinta Nanda in conversation with documentary filmmaker Shabnam Sukhdev, who just completed her short film titled ...